Opening Night at Naropa University 0
On April 30th, Naropa University’s BFA students put on an incredible performance of Dead Man Walking. I had never seen the play before and was very moved by the actors. I felt that they did a great job, especially Rose Mohan and Dan Holmes who played Sister Helen and Matt Poncelet respectively. The pictures that are included are from the dress rehearsal the night before the performance which I also had the opportunity to attend.
The play did an excellent job bringing forward many conflicting viewpoints. The audience is encouraged to not only think about how Poncelet’s act effected his victim’s parents, but also his own mother. We learn about how she and her other children are harassed and ostracized from the community because of the murder that Matt committed. She tells Sister Helen that she is constantly trying to figure out what she did wrong; however, the audience is left to wonder whether she could have done anything to prevent her son’s horrible act.
Sister Helen tries her best to be a source of support for the victims’ families, which turns out to be extremely challenging. The victims’ parents are naturally reluctant to trust her but in the last scene, not too long after Matt Poncelet’s execution, she prays with Earl Delacroix, the father of one of the victims. As audience members, we are left to make up our own minds- did Matt’s execution in fact, give some sort of relief to Delacroix? Is his act of praying with Sister Helen a sign that he forgave Matt? What does it take to forgive someone who has killed a loved one?
As an audience member, I was also brought to a place where I could see Matt’s point of view- his fear of imminent death, his confusion and pain, but perhaps most of all, his regret for what he did. In the scene before his execution, he confesses his crime to Sister Helen and acknowledges the impact her guidance has had on him. He states, ” You know, I’ve never known real love…figures I’d have to go to my death to find love…thank you for loving me”.
This moment in the play personally made me reflect on how murderers are often called “monsters” or “subhuman”. What if these titles are, in fact, oversimplifications? What if people who commit horrible crimes are still capable of giving and receiving love? Can acts of violence be directly traced back to the fact that the perpetrator may have experienced a lack of love or community in his or her own life? What caused Matt Poncelet to do what he did? Is his act unforgivable?
The audience sees both Matt Poncelet’s gruesome crime as well as his humanity. As someone who has never had anyone close to me hurt before, I can only imagine the inner conflict that a family member of a victim might go through when trying to come to terms with this paradox.
When it comes to the death penalty there are certainly no easy answers. Dead Man Walking brings this to the audience’s attention by challenging common oversimplifications and grappling with the true complexities of the issue









